Ben Quilty and his view on masculinity

Ben Quilty is an Australian contemporary Artist, at the height of his artistic career, having over 30 solo exhibitions in Australia and overseas as well as being the winner of various prizes such as, The Doug Moran Prize in 2009, the Archibald Prize in 2011 and the Redlands Westpac Art in 2012.  Quilty can be considered as one of the artists who explores the concept of masculinity in relation to “rituals” that best display the characteristics of male rebellion and anxiety. Quilty’s  work is usually autobiographical, often recalling his teenage years, full of no sense of authority, boldness, restlessness, spontaneity, pleasure seeking, alcohol, drugs, cars and recklessness, and he uses such events to explore how we define what is being a man, and how boys become men (Caddey, n.d, p.7).

In the painting “Self-Portrait Dead (Over the Hills and Far Away)”, 2007, the artist depicts himself heavily drunk after a whole night of drinking (Caddey, n.d, p.8). The paint is thick and heavy, composed of patches of dull colours that make up a blurry representation, portraying through medium the mood of being heavily intoxicated. The artist states “it’s a comment, about reckless masculinity rather than a celebration of drunkenness” which acknowledges the fact that he’s aware of how the idea of masculinity has affected him personally, which might be the reason why he heavily drinks. The artist then follows by stating “It’s me as a willing participant in the mayhem that is modern man, it’s quite critical the statement I’m making. I want people to see the vulnerability” acknowledging the fact that he’s consciously taking part in activities that make man today, himself included, chaotic, showing the viewer the state of vulnerability that ensues (Caddey, n.d, p.8).

hjk Ben Quilty, 2007, Self-Portrait Dead (Over the Hills and Far Away)

Quilty also tackles the aspect of guidance, or rather the lack of.  Teenage boys acquire from boyhood to manhood, in white Australian culture, “rites of passage”, such as getting legally drunk on their eighteenth birthday, which symbolize some kind of passage from boyhood to manhood. In the “Crash painting series” the artist choose to represent, with his bold application of paint, this issue the iconic powerful cars of the 1970s such as the Torana and the Falcon, cars that “reeked of rebellion”, as a metaphor for the idea of masculinity which consists of strength, power, swiftness and intimidation. In this series Quilty depicts the powerful cars after they all had crashed, to intentionally send a visual message that masculinity is just as vulnerable to self-destruction, such as the high injuries and death rates in males caused by reckless behaviors encouraged by this idea of masculinity (Caddey, n.d, p.9).

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Ben Quilty, 2012, Crash painting 1.

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Ben Quilty, 2012, Crash painting 2

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